有没有哪一处能完美容下我，让我不再哭泣？女子穿梭于充满容器的未知世界，寻觅安身之处，也摸索自己内心空缺的形状。她四下张望，向往丛生，然而他人的目光，能否带来心底的安详？以容器隐喻安全场所，运用2D动画与陶艺、黏土等媒材，反映出自我认同的不同追寻状态。

有没有哪一处能完美容下我，让我不再哭泣？女子穿梭于充满容器的未知世界，寻觅安身之处，也摸索自己内心空缺的形状。她四下张望，向往丛生，然而他人的目光，能否带来心底的安详？以容器隐喻安全场所，运用2D动画与陶艺、黏土等媒材，反映出自我认同的不同追寻状态。

云起http://www.mtime.com/my/gmzyq/　　1972年的美国，全国范围内掀起了一股UFO的热潮。在那一段时间里，各地不断地涌现出各种目击UFO的事件。能看见UFO，并且能被不同的人所证实，这种外星人的入侵叫做第一类接触；如果能有一些照片或者是视频、音频的证据，则被称作第二类接触；如果能进行一些简单的交流和沟通，则为第三类接触；那么第四类呢？又是什么样的的呢？　　其实早在人类知晓以前，外星人就已经和人类进行了“第四类接触”。在阿拉斯加的诺姆——那里是一个偏僻的小镇。每一年都会有人报警说家里有人失踪。因为警力有限，而且没有发现尸体和凶杀的证据，这些失踪的人口都被当做外出工作来处理。时间一长，也就没有人在意这些事情，FBI也便睁一只眼闭一只眼地，把事情掩埋了过去。直到有一天，一个教授来到了这里。　　这个教授名为阿比盖尔·泰勒（米拉·乔沃维奇），她采访了一些失去孩子的父母。当她开始整理这些录音带的时候，她发现了一些稀奇古怪的事件。无论从宗教、医学、巫术还是习惯上都无法解释。这些东西让她陷入了困境——因为没有任何人见过这种东西，也没有任何人能理解它们，难道这就是传说中的外星人和人类的“第四类接触”？随着泰勒调查的深入，一个令人难以置信的谜底即将揭开……

云起http://www.mtime.com/my/gmzyq/　　1972年的美国，全国范围内掀起了一股UFO的热潮。在那一段时间里，各地不断地涌现出各种目击UFO的事件。能看见UFO，并且能被不同的人所证实，这种外星人的入侵叫做第一类接触；如果能有一些照片或者是视频、音频的证据，则被称作第二类接触；如果能进行一些简单的交流和沟通，则为第三类接触；那么第四类呢？又是什么样的的呢？　　其实早在人类知晓以前，外星人就已经和人类进行了“第四类接触”。在阿拉斯加的诺姆——那里是一个偏僻的小镇。每一年都会有人报警说家里有人失踪。因为警力有限，而且没有发现尸体和凶杀的证据，这些失踪的人口都被当做外出工作来处理。时间一长，也就没有人在意这些事情，FBI也便睁一只眼闭一只眼地，把事情掩埋了过去。直到有一天，一个教授来到了这里。　　这个教授名为阿比盖尔·泰勒（米拉·乔沃维奇），她采访了一些失去孩子的父母。当她开始整理这些录音带的时候，她发现了一些稀奇古怪的事件。无论从宗教、医学、巫术还是习惯上都无法解释。这些东西让她陷入了困境——因为没有任何人见过这种东西，也没有任何人能理解它们，难道这就是传说中的外星人和人类的“第四类接触”？随着泰勒调查的深入，一个令人难以置信的谜底即将揭开……

返乡创业青年⻬林生（杨铮饰）与初到当地的选调生修晓岩（王靖云饰），在望星台村的发展思路上存在分歧，两个人都在寻找心中的北极星和未来发展方向。修晓岩因地制宜，结合政府政策⽅方针，带领老百姓找到⼯业致富新道路；齐林生则推崇与时俱进的新观念，他引入国家地理标志“天坑”，并下定决心要从旅游、文化等方面让村庄走出⼤山。可他的规划与农村发展相违背，他面临着与村民的观念冲突，与身为村干部的母亲黄万荣（岳秀清饰）之间亲情和思想上的博弈。林齐生与修晓岩之间通过不断的思想碰撞，发掘家乡的美、家乡的文化、家乡的可持续发展空间。两人共同进步，最终站在了统一战线上，在领导与村民的支持与帮助下，他们带领创业团队克服种种困难，以打造生态环境为基础，发展绿色旅游、保护健康生态，带领着全村人改善乡村风貌，致力于建设美丽乡村。

返乡创业青年⻬林生（杨铮饰）与初到当地的选调生修晓岩（王靖云饰），在望星台村的发展思路上存在分歧，两个人都在寻找心中的北极星和未来发展方向。修晓岩因地制宜，结合政府政策⽅方针，带领老百姓找到⼯业致富新道路；齐林生则推崇与时俱进的新观念，他引入国家地理标志“天坑”，并下定决心要从旅游、文化等方面让村庄走出⼤山。可他的规划与农村发展相违背，他面临着与村民的观念冲突，与身为村干部的母亲黄万荣（岳秀清饰）之间亲情和思想上的博弈。林齐生与修晓岩之间通过不断的思想碰撞，发掘家乡的美、家乡的文化、家乡的可持续发展空间。两人共同进步，最终站在了统一战线上，在领导与村民的支持与帮助下，他们带领创业团队克服种种困难，以打造生态环境为基础，发展绿色旅游、保护健康生态，带领着全村人改善乡村风貌，致力于建设美丽乡村。

The title and subtitle of this French miniseries are "Six Times Two; Over and under the media". The "six" refers to the fact that there are six episodes; the "two" has a double meaning. Each of these episodes is a collaboration between two people: Jean-Luc Godard and his long-time partner Anne-Marie Miéville, but the "two" also refers to the fact that each episode has a two-part structure. The individual episodes run 100 minutes each, split almost precisely into two 50-minute sections. 　　Each episode deals with a specific theme -- history, women, labour -- with the first half being an overview of that topic, and the second half being a documentary interview with one person who somehow represents that very broad topic! 　　This is a thoroughly Gallic documentary series, with everything that the term implies; despite my passion for Godard's films, I found 'Six Times Two' to be extremely talkative and static. Reportedly, Godard himself did not have a high opinion of this miniseries.

Nine filmmakers for one extraordinary archive. The Istituto Luce turned ninety in 2014, its long history intertwined with that of Italy itself, through cinema and that unique treasure trove of images known to all as the Luce Archives. To celebrate its anniversary, some of the most acclaimed rising filmmakers in Italy were invited to make a small film, with each director selecting ten minutes of footage from the archives, out of the thousands of hours of footage to be found there. 　　The result is an album full of different narratives. The film footage speaks of the outbreak of war, implorations of peace; building collapses and reconstruction; recollections of (possibly) lost landscapes, and lost realities; miracles, superstitions and dreams. It´s a weave of themes: women´s rights, sexuality, the meaning of a song, the Moon, in the form of fairy tales or diaries, pseudo-history or poetry; the words of great writers alongside the voices of the man on the street; starring real people, historical figures, and characters made up out of thin air. 　　Marco Bonfanti Tubiolo e la luna 　　Claudio Giovannesi Il mio dovere di sposa 　　Alina Marazzi Confini 　　Pietro Marcello e Sara Fgaier L´Italia umile 　　Giovanni Piperno Miracolo italiano 　　Costanza Quatriglio Girotondo 　　Paola Randi Progetto Panico 　　Alice Rohrwacher Una canzone 　　Roland Sejko L´entrata in guerra

The title and subtitle of this French miniseries are "Six Times Two; Over and under the media". The "six" refers to the fact that there are six episodes; the "two" has a double meaning. Each of these episodes is a collaboration between two people: Jean-Luc Godard and his long-time partner Anne-Marie Miéville, but the "two" also refers to the fact that each episode has a two-part structure. The individual episodes run 100 minutes each, split almost precisely into two 50-minute sections. 　　Each episode deals with a specific theme -- history, women, labour -- with the first half being an overview of that topic, and the second half being a documentary interview with one person who somehow represents that very broad topic! 　　This is a thoroughly Gallic documentary series, with everything that the term implies; despite my passion for Godard's films, I found 'Six Times Two' to be extremely talkative and static. Reportedly, Godard himself did not have a high opinion of this miniseries.